David O’Mahony – Irish horror author

Featured

David O'Mahony, author

David O’Mahony is a horror and dark fantasy writer from Cork, Ireland. He specialises in ghost stories but can also be found writing contemporary fiction.

A prolific writer of short stories, he was a finalist in the 2024 Globe Soup primal fears competition and 2025 Globe Soup paranormal flash fiction contest, while his first round entry to the 2024 NYC Midnight short story challenge was praised as a “creative, original take on the ghost story”. With more than 60 stories published or about to be published, his work has found homes in Ireland, the UK, the US, Canada, Belgium, Australia, India, and Thailand.

He’s the author of two collections, The Ties That Bind and What Gets Left Behind, both of which are available from this site. He also occasionally writes columns and analysis at irishexaminer.com. Learn more about him, and read an evolving list of his publicatios, here.

Subscribe to his newsletter here:

New newsletter and free story!

Hello all,

I’ve moved my newsletter over to Substack – you can subscribe to it here.

The first edition is below, and includes my Halloween story Grave Tidings (available in my collection The Ties That Bind).

 

Updates and free story – Happy Halloween!

*taps mic* Is this thing on?

It seems only right that a horror writer brings his newsletter back to life on Halloween. There’s life in the old dog yet. And a particular welcome to those who’ve followed me thanks to Emerald City Ghosts, who were kind enough to publish my story Graveside Oration in their Funerals and Graveyards edition.

It’s been something of a rollercoaster year on the writing front. I have two books unleashed — The Ties That Bind and What Gets Left Behind, which recently showed up in purchases for the Dubai Public Library of all places. My books have made their costs back, which is nice, but I’d still love to sell you a copy. Ebooks available pretty much everywhere.

In the past few months I’ve had a plethora of stories appear out in the wild. I’ve written 25 this year and almost all of them have found a home somewhere, which I still pinch myself over. And check out Red Treehouse’s narration of my vampire tale Contain and Control.

Apotheosis is out now in What Lurks: A Cryptid Anthology from the wonderful people at Graveside Press. I’m particularly proud of this one, and its raging bog mummy. Graveside have picked up a few other stories of mine, with Shadows and Smoke due out in December, Inheritance due out in February, and a standalone novelette, House of Sorrows, out in summer 2026.

Away from that, Cloaked Press has published my creature feature Desperate Remedies (in the same universe as Grave Tidings, which you’ll read below), I have two pieces in The Haunted Quill vol 1, my slightly surreal weird fiction Awakenings is in The Dark Corner vol 5 (my first published story in Ireland), I have ghost stories in Vervain’s The 25th Hour and Dragon Tomes’ Voices From the VoidWicked Shadow Press have picked up two of my Halloween stories, and I have pieces coming out with ZombZine, Dark Holme’s Dark Descent magazine, Eldritch Cat Press, and Whisper House.

I’ve pulled together the bones of a third collection, The Paths Beyond, but the release is very much TBC.

But I promised you a free story, didn’t I? And I don’t like to make promises I can’t keep. So, without further ado, here’s Grave Tidings, one of my favourites and found in my book The Ties That Bind — and also forthcoming in a readers’ choice collection from UK’s Dark Holme Publishing. The main character, Liam, leads my novel in progress, Beneath the Surface, but both stories stand solidly alone.

So, until my next, possibly shorter update, stay spooky.

-David

Grave Tidings

Liam Kincaid did a lot of things for money. He cleaned up after occult rituals, banished poltergeists, even removed the occasional dead body after a summoning went either terribly wrong or terribly right. He could talk to ghosts and wield ancient magic. But every year around Halloween he did nothing except keep an eye on the dead.

The veil between worlds was thin at best but unless it was a curse or a true haunting, Halloween was the only time of the year when the dead could push through without needing an invitation.

Through a broker, Liam would be hired to watch graveyards. The brief was simple: Make sure the dead stayed where they were supposed to. They seldom strayed far from their tombs but, on occasion, needed persuading to return to them. This year, a group of local citizens had pooled their resources and brought him home to West Cork, a part of Ireland so filled with ancient monuments and ghosts it put him on edge just travelling through it.

He rolled his car to a stop on the narrow road on the slope overlooking Abbeystrowry Cemetery outside Skibbereen. Liam had driven along the main road by the river many times and the large black sign with white lettering always made him sigh: “Site of burial pits & mass graves of the Great Famine”. As many as ten thousand people lay there, jumbled and nameless.

His ancestors lay in those pits. Commission or no commission, the thought of finding family among the spirits, family who had been left in the greatest distress for over a century, made his blood run cold. He had the power and the skill to send almost any soul to a place of peace – and yet he had never even tried to reach his own kin here. He flushed with shame.

“Are you sure you’re okay with this?” asked Miriam from the seat next to him. Miriam had been with him since he was a teenager, though she had never told him how she died. She always wore the same olive blouse and black trousers, her hair swept up toward the crown of her head in what he’d eventually learned was a very 1940s style. She liked to join him on drives.

“Yeah,” Liam said after a few heartbeats. “Yeah I’m fine.”

“You don’t look fine.”

He was gripping the steering wheel too tightly. He could hear them already, the dead of the graveyard. The modern graves spoke with a light, contented sigh; these were souls at peace who had had their chance to say goodbye to loved ones.

But the grave pits. The voices there were discordant, angry, confused at being lost and still gripped with the agony of starvation and disease.

“Okay Miriam, let’s do this. One step at a time,” he said, but Miriam had already demanifested. He sighed, left the car, and crept down the steps into the cemetery. The bracelet of holy and ritual charms he always wore on his wrist clattered.

A handful of spirits had manifested, all among the newer graves. Normally ghosts stayed where they died, repeating the same sequences over and over, but the usual rules didn’t apply around Halloween. The dead were drifting among the tombstones, stopping now and again as if to chat or examine something on the ground. Flowers, perhaps; there was no shortage of offerings or candles.

Liam paused, waiting to see if there was any need to intervene, but they just seemed to be visiting the mortal realm out of nostalgia, or perhaps boredom. Some descended back into their graves, others rose from theirs; these souls did not need to be guided anywhere.

He was releasing a breath he didn’t realise he was holding when a man screamed behind him. Spinning around, hands up in a protective gesture, he found himself just feet away from a ruined cadaver of a man, a hollowed out shell clutching a pile of sticks and rags that Liam was sickened to realise were the piled remains of a child.

The man screamed again, the cry of one whose soul was being torn apart. His lips moved with the rhythms of Gaelic and Liam remembered enough from school to understand the ghost was saying “They’re all gone, they’re all gone, they’re all gone” over and over as he glided forward, thrusting the bundle toward Liam. The rags fell away, showing a mess of bones and two tiny skulls: twins who must have died shortly after birth.

“I’m sorry, friend,” said Liam, weaving his fingers to cast a spell that would at least calm the spirit long enough for him to conduct a proper ritual to let the man and his children move on.

He didn’t get the chance to finish the spell.

From the grave pit climbed a ragged ghost shrivelled almost to dust, then another, then another, then more by the dozen: men, women, and children all out of joint. A man stalked the cemetery with the confused head of a child; a woman limped forward, one of her legs belonging to somebody much taller; a child with the torso of a starved adult sobbed for its mother. Even those who emerged intact wailed at each other’s distress, until the numbers grew so many that they were standing on each other, inside each other.

A sunken-cheeked man, shirtless and strewn with the red rash of typhus, pushed toward Liam, muttering the words “cá bhfuil an sagart?” – “where is the priest?” He lunged at Liam’s eyes, his face distorted with rage. And the way his features strained, the set of his shoulders was so eerily familiar… as if Liam were looking at his own father during one of his drunken rages.

Like in childhood, Liam retreated and swung an arm up to protect himself. The ghost pulled back. His face softened and his hand moved gently toward Liam, the way a parent, or perhaps a great-great-great grandfather, would try to tuck an errant strand of hair behind a child’s ear. His mouth opened to say something but he was drowned out by a wave of other spirits all binding themselves to the hope that the priest had come to give them a proper burial, droves of forgotten souls who had been tipped in their hundreds into gaping holes in the ground – all of them now following the lead of Liam’s long unmourned ancestor.

“I’m not a priest,” said Liam, stumbling over a crumbled grave marker and landing heavily. A hundred begging hands thrust themselves into his face as hundreds more voices pleaded with him for peace. “I’m not a priest!”

The spirits were swamping him but his ancestor spread his arms and they quieted, hovering back. Liam had seen ghosts herd before, but never obey one another like this.

He boosted himself up with a hand then gathered himself. “One step at a time,” he muttered, adjusting his bracelet as he ran a thousand ideas through his mind.

He shook his wrist, the charms clicking and clacking.

One step at a time. It couldn’t be that straightforward, could it?

“I’m not a priest,” he said gently, addressing them all at once. “But maybe I can help, if you can all wait your turn.”

A hush of expectation rolled through them, the faintest of smiles dancing around the lips of Liam’s kinsman.

“One step at a time,” Liam said to himself, removing from his wrist a small silver crucifix engraved with the Latin words “memento mori”. Remember you must die. He needed something familiar to them; they needed to believe this would work or it would go nowhere.

Expectation turned to electric silence as the spirits crowded in, but patiently as if they were slowing themselves to live in the moment.

He held out the crucifix and hundreds of eyes followed it. If there had been only one soul, or even half a dozen, he could have recited the ritual to help them fully move to the next world. But there were too many. All he could do was try to quiet them. Keeping it simple and familiar, he began whispering the words of the Our Father in Gaelic, the language they would have spoken.

Hundreds of spectral hands blessed themselves with the rustle of old clothes and sighs, hundreds of voices recited the prayer in unison.

Liam’s eyes teared up at the emaciation, disease, and degradation on their faces. “Let me help you rest.” Hundreds of eyes looked up in relief that somebody, anybody, was here to help them let go of their suffering, for another year at least.

One by one they withdrew, returning to the grave pit as if falling backwards into a pool of refreshing water. By the end Liam’s voice was hoarse.

Only one spirit remained: his ancient ancestor. The man’s face was serene, all traces of weariness and illness banished. Liam thought it was like looking at an older version of himself. Dawn breaking over the trees, his kinsman lowered himself into the pit. Raising a hand in farewell, he faded into the ground.

A calming breeze blew over Liam as he kneeled, exhausted, and lay a hand on the mass grave.

“See you next year,” he said.

PRICE DROP

Beautiful people, it’s my birthday so I’m dropping the price of both paperbacks to €8.50 for at least the next month. Maybe longer if I forget to change it.

But wait, there’s more! Are ebooks more your thing? Don’t want to support the big retailers? We’ve got you covered – thanks to Ron of Temple Dark Books both my collections are now available through SFI (Speculative Fiction Ireland), and at €2.99 are wallet friendly and everything. Get them here!

I have some copies of What Gets Left Behind in stock (as in, upstairs in a box) that I can send to Irish addresses. That said, I’m now shipping everywhere I can so if you’re not on my island they’ll come to you via the closest printer, which could be Amazon or Ingram/Draft2Digital depending on which is fastest.

Amazon paperback prices will be coming down shortly, but because the Big A has set new royalty policies they’ll still be more expensive than getting them direct from me.

Books for sale

A cluster of What Gets Left Behind being prepped to go to new owners

I have SOLD OUT of my stock of my first collection, The Ties That Bind. Thank you to everybody for your support – I’ll get a bulk order in if there’s demand but I can also dropship individual books to most addresses directly from the printer. I just won’t be able to sign them.

Meanwhile, I’m delighted to say that What Gets Left Behind has already made its costs back, even at this early stage and following a soft launch. I have plenty in stock still, with more available.

Paperbacks remain €10 plus postage if you get them from my site, though I can only post to Irish addresses (dropshipping seems to extend beyond Ireland in my tests so far, though).

And what’s that…? I’ve already named and done a cover for a third collection? Well yes, yes I have. It’ll be called The Paths Beyond, though when and where it gets published isn’t anywhere close to decided. Largely because I haven’t finished writing and editing the stories.

I’m exploring the possibility of selling ebooks from this website, but for now you can get both titles from Amazon, Apple books, Smashwords, Kobo, Barnes and Noble, and a myriad other places in Europe and North America. Paperbacks are also available from Bookshop.org in the US for anybody who wants to support independent book shops.

On other fronts, I have a stack of stories coming out with the magnificent Graveside Press and am working on a supernatural, gothic-inspired novella called Beneath the Surface; a cosmic horror novel called Worlds Without End; and a clutch of stories for submissions in the US and elsewhere.

Onward and upward!

What Gets Left Behind – out now!

David O'Mahony What Gets Left Behind

Hello beautiful reader,

My second collection, What Gets Left Behind, is for sale now ahead of its official release on May 31. Just note that I can only ship paperbacks within Ireland.

However, paperbacks will be available through Amazon, Barnes & Noble, and other places from the end of the month, and ebook preorders are live now from Amazon, Smashwords, and myriad other homes. Keep an eye on its little micro page here as new vendors go live.

Review: The Divine Flesh by Drew Huff

The Divine Flesh by Drew Huff (Dark Matter INK)

This, quite frankly, one of the most astoundingly original books I’ve ever read.

We have a self-destructive drug addict (and mule) in Jennifer, who’s constantly fighting to control her own body because it’s also inhabited by a cosmic goddess older than anything. If that’s not enough, Jennifer’s former husband is in love with the goddess, and after he and his friends are killed by bigoted self-appointed vigilantes, Jennifer and the Divine Flesh go to track down the killers but end up dealing with conspiracies and festering human and non-human horrors while skirting ever closer to unleashing the Flesh on the world.

Both Jennifer and the Divine Flesh get first person POV treatment, and are often in conversation with one another, which adds to the interpersonal conflicts and motivations while furthering the plot.

It’s cosmic horror but built on a body horror framework, and how Huff manages to write so beautifully about the grotesque deserves five stars in and of itself, especially when the story becomes more abstract and dreamy (or nightmarish, depending on your perspective), reflecting more of what an immortal divine perspective must be like.

It was interesting how the Divine Flesh had a sort of adolescent attitude — after all, if you’re an immortal goddess, who’s ever going to tell you to grow up? But it explains her sort of playfulness when it comes to recreating and reimagining life forms; with no real limits on her power, she has a freedom to do things that would otherwise be unthinkable.

What’s monstrous to us is a game to her, and the concepts of good and evil are too binary to really apply to her.

I enjoyed also how the cosmic entities, despite their immense power and age, openly admit they don’t have all the answers, sometimes because they’ve been suppressed but at other times because they’ve forgotten things (which is kind of amazing as a concept).

New story out now – Doorways

My cosmic horror story Doorways is out now in the Rogue Planet Press anthology Exomoons.

This was the first collection I was invited to write for, as opposed to taking a shot in the dark, and I enjoyed writing the piece.

It’s about Tom Kinsella, who is called to an island off the coast of North America following the death of his father, Preston, and uncovers hints that the older man may have found where the dead end up … and may be able to bring them back.

Doorways is set in my Fairgale Island universe, which is also where Through the Gateway, included in Eldritch Encore, takes place. I created it for the novel I have in progress, Worlds Without End, but Doorways and Through the Gateway, written more than a year apart, have nothing to do with each other (at least right now, I might change my mind in another year or so).

I might actually earn royalties if enough people buy ebooks or paperbacks so if it sounds like your thing, give it a whirl.

Exomoons is a fun anthology that’s a mix of science fiction, horror, and grimdark all themed around moons that are outside our solar system – sometimes, like in Doorways, very far outside of it indeed.

A note from the editor, Sergio Palumbo:

Think of alien exomoons where once life was present and whose archaeological remains today have become the valuable prey of plunderers from space. So, in this book you’ll read a story about an exomoon that is bigger than planet Mars’s size, on which lifeforms are present, though orbiting a gas giant that doesn’t give them light, and warmth, the same as our Sun does. You’ll also read stories about exomoons that aren’t moons at all… And there is also a story about what happened to exomoons partly damaged by something that apparently almost turned them into pieces of shapeless rocks in outer space. Then, here you’ll also find a story about strange exomoons approaching our Sun. And an unusual moon out there in space where some Cthulian deities are at work, maybe… Be that as it may, for starters there’s a story that is about a werewolf and some different, very different exomoons!

Are those exomoons full of surprises, or just as dead as our Moon is? Have some alien species visited them, or do they plan on doing it in the next future maybe?

The Ties That Bind: Debut book out December 31

Barring some unforeseen catastrophe, my debut collection The Ties That Bind will be out on December 31, initially through Amazon but hopefully through other outlets for ebooks not long after. I’m looking into places like Lulu for paperbacks as well just so there are options.

I am very proud of these stories and they cover a wide range of subgenres and a few different styles as well.

I promised myself I’d have a book out in 2024, and while I did shop collections around to a few publishers ultimately I went my own road. And December 31 gets it into 2024 by the skin of its teeth, so I’ve kept my promise to myself.

I’m looking into options for selling through the website and am experimenting with Woocommerce, which is why you see a “shop” tab at the top that’s not currently anything.

All my story collections will be gathered under the umbrella of Shadows and Starlight – originally that was going to be the title of this book, but I was able to forge more thematic links between the stories.

Volume II, What Gets Left Behind, is due out on March 31. Volume III, believe it or not, is in the process of being chosen, though I don’t have a title in mind for that just yet.

– David

Halloween stories out now

Hello beautiful people,

I had a great time speaking to and with the Bottomless Book Club in Cork at the weekend. I gave an informal talk about my writing process, my work, and how my history and journalism work intersects with my horror stuff, plus a few thoughts on the subject while the club discussed Shirley Jackson’s beautiful Haunting of Hill House.

Meanwhile, I have two stories out now in Halloween anthologies from Wicked Shadow Press.

Flash of the Dead: Halloween ’24

You can read my piece of flash fiction, ‘Grave Tidings’, in Flash of the Dead: Halloween ’24. It’s about a paranormal and occult fixer, Liam Kincaid, who spends the night dealing with the ghosts in the Famine graveyard outside Skibbereen.

Halloweenthology: Witches’ Brew

Meanwhile, ‘Lantern Jack’ is out in Halloweenthology: Witches’ Brew, and is about two girls hoping to catch a glimpse of a folk figure while they watch the trick or treaters.

I’ve also got a piece of contemporary flash fiction, ‘Family Tree’, in the anthology Mono No Aware: the book is themed around the Japanese concept of the awareness of transcience and being softly sad about it passing.

Want to read my pieces but not able to buy the books? I got you. Mail me and I can send on the PDF, as the publisher has encouraged us to share.

Two more pieces have been accepted and are in the pipeline: one for CultureCult’s Haunted Haus anthology (this one also features Liam Kincaid, who is a recent creation of mine) and another for Wicked Shadow’s Petting Boo collection of animal-related horror stories.

More publishing news coming soon.